Steve Almond, author of Candyfreak and My Life in Heavy Metal, among others, has taken publishing matters into his own hands. Though Almond is still a hot commodity (his Rock and Roll Will Save Your Life will be availble April 13, 2010), he found that one of his book ideas was not generating much interest with publishers. His idea was a book that could be flipped over and read in two directions. One side would offer short stories, and the other side would contain essays about writing. The title? This Won’t Take But a Minute, Honey.

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November is National Novel Writing Month (NaNoWriMo), a literary marathon that challenges aspiring writers to generate a 175-page (50,000-word) fiction manuscript in 30 days. Conceived in 1999 by a bunch of twentysomethings in San Francisco with “nothing better to do,” the event now attracts more than 120,000 participants from around the world and has spawned a full-fledged nonprofit organization, the Office of Letters and Light, to keep it running.

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We are gearing up to launch ourselves into our publishing venture, and to prepare, we’ve been doing a lot of research. There are many, many opinions about the current state of the publishing industry and the direction in which it is headed. Some will tell you publishing is on the brink of death; others feel there has not been a better time to enter the industry. What is clear is the industry is in flux and affected by changes in the economy and technology.

A somewhat controversial topic, or at least one that generates a lot of opinions, is that of digital books or e-books. Personally I think that as long as there are books to read, it doesn’t matter whether they are on a printed page or in digital format. I like to switch back and forth between digital and printed books, but there are diehards out there who would prefer to avoid e-books.

I don’t know which format author J. A. Konrath prefers for reading, but in a recent blog post he made a strong case for e-books, explaining why and how publishers should produce them. A few points I found particularly interesting and thought provoking:

• Books cost too much: Konrath details how publishers determine the price of a print book and how that model can and should be changed. He argues that publishing companies are basing e-book pricing on traditional print pricing, which is calculated by profit per unit and doesn’t apply to e-books.
• Piracy should be battled not with higher security and restraints but with cheaper prices and greater accessibility: Konrath believes it is a waste of time and money for a publisher to try fight piracy. If books are cheap and easy to access and purchase (in other words, get rid of proprietary formats), Konrath argues, buyers wouldn’t pirate or steal books.
• In the future, authors may no longer need publishers: Self-publishing in a digital world is easier than ever, so authors may opt to do their own legwork and keep all the profits for themselves. Konrath is testing this premise by selling his unpublished works in digital form online, and so far he is getting positive results.

Konrath is the first to admit he could be wrong on many points, but he presents a persuasive and interesting conversation. Konrath may not be able to predict the future, but it’s hard to argue with his opinion that the publishing industry is in for some big changes.

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