French Pop Song of the Week: Apollinaire’s “Le Pont Mirabeau”
posted April 9, 2010
Posted by Thomas Riggs in authors music poetry translation world literature
Although poet Guillaume Apollinaire (1880-1918) is not a pop lyricist, the words to one of his best-known poems, “Le Pont Mirabeau” (”The Mirabeau Bridge”), were put to music by Marc Lavoine, pictured above on the cover of his CD titled simply Marc Lavoine (2001). “Le Pont Mirabeau,” the first track on the CD, is a bridge in Paris that spans over the Seine River. Apparently Apollinaire had to walk over the bridge to get to the home of painter Marie Laurencin, his girlfriend from 1907 to 1912. It is also the bridge where poet Paul Celan likely killed himself in 1970. His body was found miles downstream.
Below is Lavoine, since the 1980s a successful French actor and crooner, singing “Le Pont Mirabeau.”
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French Pop Song of the Week: “Mon amie la rose”
posted March 31, 2010
Posted by Thomas Riggs in music poetry world literature
As another hint of the upcoming books under our own imprint, we are starting today the French Pop Song of the Week. Writers live in the bubble of their own language, landscape, and culture. While waiting in a grocery store line or taking an escalator in a department store, French writers hear songs that Americans or Brits, for example, would not recognize. French music influences French writers, whether they wish it or not, just as growing up by a sea washes a permanent tint over a person’s sensibility.
There are a fair number of French singers who imitate Anglo styles, which is not surprising, as American and British music dominates the market in much of the world. But the French have tenaciously clung to music in their own language. Since 1994 at least 40 percent of songs on French radio stations have by law been required to be in French, and sales of French music in France, though varying from year to year, usually do not stray far from the percentage heard on the radio.
Is there anything distinctive about French pop music? Listening to the radio, I usually know before someone begins singing if the song is Anglo or French. The range of French pop is too broad to generalize, but there is often a romantic, epic, though ambivalent quality that settles in your spirit in some notable French way.
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