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From an early age we are warned not to judge a book by its cover, but now that I am an adult, I question this advice. Why can’t we judge a book by the cover? Isn’t that why new books are displayed face out, to capture one’s attention? Why are book designers and illustrators paid good money to create attractive covers if they don’t matter? Now there are certain books I will buy no matter what the cover is, but with undiscovered authors when I am wandering aimlessly through a bookstore? Something needs to catch my eye, and an ugly or boring cover isn’t going to do it.

So let’s conduct a little experiment here. Following are four covers for the same book, Chinua Achebe’s seminal Things Fall Apart.

I’m gazing longingly at the Folio Society website, particularly this lovely clothbound edition of Le Grand Meaulnes by Alain-Fournier, illustrated by Laura Carlin.

 

 

Here’s an interior illustration: 

 

I started reading books on my iPod Touch a couple of months ago. One of the first things I downloaded (for Stanza) was a free version of The Time Machine by H.G. Wells, which I’d never read before. That started me on a Wells kick, so I downloaded Tales of Space and Time. I also enjoyed that a lot. But the book cover used (from Project Gutenberg) was so ugly (below, left) it kind of bummed me out every time I caught a glimpse of it! But I figured that was just what you get with free books.

I discovered recently, however, that Feedbooks (one of the 13 collections offered on Stanza) generally chooses more attractive covers for their public-domain books. Below on the right is the cover that Feedbooks uses for the same work. Much easier on the eyes, in my opinion. I think it’s the cover for the first American edition, but I’m not positive.

 

     

 

This is an interesting idea for print-on-demand book covers and looks cool, too.  Design student Michael Kosmicki created this series of covers as an entry in the 2009 D&AD Student Awards competition.  They’re based on the concept of intentionally producing a visual glitch using “a logarithm that translates the title and section into a distinct graphic pattern.”  (Thanks to the Book Cover Archive for pointing out these beauties!)

 

 

 

The assignment was: “Use typography to create a series cover design for Faber Film’s range of books that reflects Faber and Faber’s long history of typographic excellence.”  They also wanted entrants to design specifically for POD (print on demand) by creating a single template that could be used to generate an infinite number of cover designs.  This is a clever solution to that problem!  Plus: pretty!

Michael’s design wasn’t chosen (here are the winners)—it was probably deemed too conceptual for the assignment.

If you’re intrigued by these images, you might be interested in this new book that’s all about art made from glitches (like the image below): Glitch: Designing Imperfection.

 

 

 

 

I love these Faber and Faber Poetry books, designed by Justus Oehler of Pentagram. This series uses color so beautifully, setting up the rule of three colors (one for the background, one for the title, and one for the author) and then playing with the way the colors complement or contrast with each other. The color combinations vary from vibrant contrasts—like lavender and yellow on greenish blue—to three shades of purple. The size of the text depends on what fits on the page. So Lachlan Mackinnon is never going to have big text, but Alice Oswald can. They also have a tactile feel, being printed on textured, uncoated paper.

And then they break the rule slightly for this one, befitting the wonderfully weird title:

 

 

I was collecting some images of these myself and admiring the way they look next to each other, and then I discovered that Faber Books has put together a Flickr set of them! Check it out.

This is also a clever tie-in: get a Faber Poetry poem-a-week widget for your blog or Facebook profile here: http://www.52poems.co.uk/. I just added it to my Facebook profile.

 

And there’s yet another tie-in: mugs and playing cards. For when you need to buy a gift for the poetry reader in your life, I guess. You could buy them an actual book, but who knows what they already own, right? Or perhaps you’re looking for a present for someone who is generally literary but might be bummed out if you just gave them a book. It’s too bad they had to pick the three most recognizable names (Eliot, Plath, Heaney—the fourth was clearly chosen because it mentions cocoa). I might have actually bought a mug that said “Ooga-Booga” or “Hare Soup.” I would definitely wear a T-shirt bearing the title “Tyrannosaurus Rex Versus the Corduroy Kid.”

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