Category social media:
Now THAT Is What I Call a Book Trailer
posted August 16, 2010
Posted by Mariko Fujinaka in Bookselling authors books marketing publishing social media uncategorized
I have to confess that I have not really understood the point of book trailers. It seems counterintuitive to market a book with a video, but perhaps I just need to rewire my brain. Well, if more book trailers were like the one above for Gary Shteyngart’s Super Sad True Love Story, then I would completely be on board. It’s clever! Funny! Heart warming! Of course, not all authors are connected enough to have celebrity authors and famous actors appear in their book trailers, but I think there’s a lesson in the trailer nonetheless: it’s okay to have some fun.
Lots to Admire about Lauren Cerand
posted August 6, 2010
Posted by Erin Brown in publishing social media trends
This week Publishing Perspectives launches a new series of stories called Publishing People We Admire. The first installment features Lauren Cerand, a self-taught independent publicist in New York City, who helped discover the enormous book-selling power of “The Daily Show,” in addition to anticipating several years ago that “the online community would be the next stage in public engagement, presentation, and dialogue.”
On her website, testimonials about the quality of her work indicate that she is not only a discerning judge of talent but also a refreshing force of positivity and integrity in the industry. In Meredith Bryan’s recent New York Observer article called “My Town of Kind!”—which describes a new era of civility, earnestness, and colleaguiality on the Internet—Cerand is quoted as saying, “that very cynical voice worked really well from 2003-2006 . . . but really negative people, they don’t have a lot of friends.” (And in 2010, as we all know, “friends” = audience.)
Only in Japan: The Twitter Novel
posted February 8, 2010
Posted by Mariko Fujinaka in publishing social media trends
A while back I mentioned the popularity of cell phone novels in Japan, the land of the tiny and compact. Well, now the rage seems to be the Twitter novel. It’s probably not really possible to write an entire novel in 140 characters, even if they do happen to be information-packed Chinese characters, but it is certainly an interesting concept, and bully for the Japanese for trying! It is likely that most Twitter novelists serialize their novels.
Moody Tweets Up a Storm
posted December 9, 2009
Posted by Erin Brown in publishing social media trends
On November 30 Electric Literature (about which I posted earlier in the month) launched a bold experiment with author Rick Moody, using Twitter to publish his latest short story in “microserial” fashion. It was Moody’s idea to write a story expressly for Twitter, and the task of writing a narrative that could be transmitted 140 characters at a time turned out to be quite challenging. “I became obsessed with the idea of creating for that character clock,” he told The Brooklyn Ink.
The resulting story, “Some Contemporary Characters,” took Moody five months to write and was tweeted in 10-minute intervals over three days, for a total of 153 tweets.
The project ran into some unforeseen difficulty, however, as the story was being simultaneously tweeted from about 20 other sources (who were invited by Electric Literature to participate), including Vroman’s and other bookstores. Anyone who was following more than one of these Twitter feeds received an onslaught of identical tweets. Also problematic was the decision by many sources to inject the story installments into their regular ongoing twitter stream, so that the story was constantly being interrupted by extraneous tweets.
In the last couple of years, Facebook has eclipsed MySpace as the world’s most popular social networking site. Facebook now has 95 million active users, compared with only about 65 million on MySpace.
What’s more interesting than these numbers is the way that users of the sites appear to break down along demographic lines. In an NPR story that aired on 10/21, students at an elite private high school in San Francisco explained that Facebook is “safer and more high class” than MySpace, which is “trashy.”
Another group of San Francisco teenagers—the mostly Latino, mostly lower-income students in an art class at a community gallery called Southern Exposure—had a different take on the difference between the two sites. As 19-year-old Diego Luna put it,
“I have friends who are white . . . They are my white people friends and they are mostly on Facebook. That’s why I use Facebook. My brown people are on MySpace.”
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