Digital Publishing vs. Traditional Publishing
Posted by Mariko Fujinaka in Bookselling E-books books publishing technology trends on 5 March 2010

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People seem to have very strong feelings about digital media. It seems every day I read articles embracing digital media and articles dismissing it. And even within the differing camps there is discord—Kindle vs. iPad vs. whatever the e-readers from Sony and Barnes & Noble are called. Putting aside the nuts and bolts of publishing costs, I just don’t understand what the big deal is. If you want to read books on paper, then read books on paper. If you want to read ebooks, go right ahead. Can’t we all just get along?
One thing on which we can probably all agree is that the traditional publishing model is outdated and needs to be modernized. So, whichever tribe you belong to, you might find some humor in this tongue-in-cheek article from The Atlantic.
Global Marketplace Demands Literature That’s Easy to Translate
Posted by Erin Brown in Bookselling E-books events translation trends uncategorized virtual offices world literature on 4 March 2010
Tim Park, who blogs for the New York Review of Books, had an interesting post recently about the pressure that writers (particularly non-American writers) feel to reach an international audience and the way this is affecting what and how they write:
There is a growing sense that for an author to be considered “great,” he or she must be an international rather than a national phenomenon . . . [M]ore and more European, African, Asian and South American authors see themselves as having “failed” if they do not reach an international audience.
Park goes on to describe how this pressure has increased with the advent of electronic submissions, which enable an author to send a new work simultaneously to publishers all over the world, such that international rights may even be purchased before the writer has found a publisher in his or her own country:
An astute agent can then orchestrate the simultaneous launch of a work in many different countries using promotional strategies that we normally associate with multinational corporations. Thus a reader picking up a copy of Dan Brown’s The Lost Symbol, or the latest Harry Potter, or indeed a work by Umberto Eco, or Haruki Murakami, or Ian McEwan, does so in the knowledge that this same work is being read now, all over the world . . . This perception adds to the book’s attraction.
Giant Robot Magazine Needs Our Help
Posted by Mariko Fujinaka in publishing on 26 February 2010
I remember back when Giant Robot Magazine first started up. It was some 15 years ago and launched by two young UCLA graduates. The magazine focuses on Asian and Asian-American popular culture, and it introduced me to a brave new world of artists, designers, musicians, movies, trends, food, and more. The magazine has spawned several Giant Robot stores/galleries, as well as a restaurant, gr/eats, and it has launched the careers and boosted the visibility of a number of artists and musicians, including Japanese artists Takashi Murakami and Yoshitomo Nara.
Glenn Beck: An Anarchist Book’s Best Friend
Posted by Erin Brown in Bookselling E-books books trends uncategorized on 23 February 2010
In a surprising twist, it appears that Fox News’s Glenn Beck has helped to make a bestseller of The Coming Insurrection, an incendiary text written by French anarchists under the pseudonym “Invisible Committee,” whose call to arms “takes as its starting point theft, sabotage, the refusal to work, and the elaboration of collective, self-organized forms-of-life.”
Written in the aftermath of the 2005 riots in the Paris suburbs and published by La Fabrique in 2007, L’insurrection qui vient was denounced by the French government as a terrorist manual. The text first gained significant attention in 2008, following the arrest of its alleged authors, a group of youths now known as the Tarnac 9, on charges of sabotaging French train lines.
An iPad is an Apple. A Kindle is an Orange. What Is an Orizon?
Posted by Thomas Riggs in E-books books technology on 19 February 2010

Inundated with a never-ending stream of tech news, it’s easy to confuse apples and oranges, so here’s a simple thing to keep in mind. The Amazon Kindle is an e-book reader. The iPad is a multipurpose tablet that can be used for many things, including reading.
In fact, the iPad doesn’t come with an e-reader app. If you want to read a book on it, you will have to download Apple’s iBooks app from its App Store. It will be interesting to see how many people will never bother to download the iBooks app and how many people will never use the iPad for book reading. It’s worth remembering this comment about the Kindle from Steve Jobs in the New York Times.
“It doesn’t matter how good or bad the product is, the fact is that people don’t read anymore,” he said. “Forty percent of the people in the U.S. read one book or less last year. The whole conception is flawed at the top because people don’t read anymore.”













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